Monday, May 20, 2013

"The Sky Is Low, The Clouds Are Mean," by Emily Dickinson

"Blue Monday," by Langston Hughes

We Are In the Waiting Room

The waiting room waits for us
to move through it. Magazines
collect like silt. We try to collect
each other's thoughts; fail;
return to our own. The waiting room

is quieter than most places
of worship. A door opens rudely.
The caller of names holds
a file, speaks two words brusquely.
One of us gets up. No one
says goodbye or good luck.

Those remaining settle too quickly
back into waiting. We've become
like birds on a roost at dusk.

The world cannot end as long as
there are waiting rooms
because that would be too dramatic.



Hans Ostrom 2013

Sunday, May 19, 2013

"Choking It Back"

Today I happened to be
watching a cat choke back
the urge to vomit
a hair-ball just
as I was thinking of
the sheer number of Americans
who, first, consider themselves
White and, second, simply
cannot abide even the thought
of a Black man as President.
I want to say to them,
Vomit up that hatred, first,
and, second, read a
goddamned history book.




hans ostrom 2013

"The Man He Killed," by Thomas Hardy

Wednesday, May 8, 2013

Gary Snyder's Birthday Today

It is Gary Snyder's birthday today. My favorite books of poems by him is The Back Country. He was born in San Francisco in 1930.

Here is a brief selection from his nonfiction book, The Practice of the Wild:

Monday, May 6, 2013

They Don't Want to Hear From You

Lou, they don’t want
to hear from you. They
don’t want to see
anything you do.

You don’t belong, Lou.
So how long you going
to keep asking to be
considered? Lou,

you were born behind
and never caught up.
Stubborn’s not a talent
they’re looking for.

If they had wanted you,
they would have sent
for you by now, Lou. They
would have sent for you.


Hans Ostrom

"Consumocracy Blues" recorded

Friday, May 3, 2013

Consumocracy Blues

They're spending what they don't have
on stuff that they don't need.
Yeah, they're spending what they don't have
on things they do not need.
Maybe they need to slide into
life with a simpler creed.



hans ostrom 2013

Monday, April 29, 2013

The Planet Is Hooked

The fish are getting high
on our pharmaceuticals. Perch
take anti-anxiety meds
prescribed by our sewage
and runoff & they swim
like hell. We like to share.
Gulls smoke our clouds of
junk, bears chew through plastic,
and clams can't find the calcium
anymore because of our acid trips.
The planet's on our street now.
We'll sell it anything.



hans ostrom 2013

Friday, April 26, 2013

Old Man, I'm Talking to You

Old man, I'm talking to you. I am you.
I didn't used to be. I used to fly past
on a train. You'd be sitting on a bench
at the station--gray eyes, gray sweater,
a blur of inert age. And I? Well, I

was all tendon-taught, unfraught, lithe,
and smug with youth. Uncouth. I was
on my way to . . . to here, as
it happened. And it's happened.

I'm situated at the station now, too,
talking to you, old man. Here
comes a train.


hans ostrom, 2013

Official American Poetry

Official American Poetry is a corporation like
any other. It has executive officers, middle-
managers, salespeople, controllers, and share-
holders. It operates major retail outlets

such as anthologies, presses, workshops,
and MFA programs. There are Academies
and Institutes, with canons on the parapets
and reviewers pouring hot grease on the mob.

Official American Poetry (OAP) frequently
says, "We are unamused by most american
poetry." When OAP notes an Interesting
Development, then OAP buys it up to

maintain market control. It bought up
Dickinson and Whitman, Plath and Sexton,
the Beats and LANGUAGE. There is insider-
trading, lobbying, and influence-peddling.

There's the awkward American imitation
of royalty (Pound crowning Eliot). OAP
is a tower of glass and steel. If you want
to try to try to trade independence for

recognition, go for it. Good luck.
Otherwise, just keep walking. And
writing. That's what Walt and Emily would do.
Bukowski and Bob Kaufman, too,

and this is not to mention,
and this is not to mention
all the poets alive, above and
under ground both at once.


hans ostrom 2013




Wednesday, April 17, 2013

What She Realized

She realized one day
that what she had produced
in her field was as good
and often better than
what the famous in her field
had produced. She knew
she'd never be famous.
She understood the machinery
that established hierarchy.
She knew that proclaiming
her work was as good and often
better was a losing ploy,
and she knew that complaining
was the sucker's payoff.
So she chose satisfaction.
According to hard criteria,
what she had done was good
and even excellent. Let it
be that, she thought,
and let the rest go.



hans ostrom, 2013

Bond of Union

(after M.C. Escher's Lithograph, "Bond of Union," 1956)


We first met in a vat of soup,
you and I. The bubbles entranced.
Then they turned into spongy spheres,
and the soup evaporated entirely.

More adventure: our insides--
brains and guts, bones and such--
departed. We became mere ribbons
of being, me with my sad goatee,

you with your lovely mouth
and luxuriant hair. We discovered
but one ribbon became us. So we
move cautiously now and try

not to attribute blame.


hans ostrom, 2013

From Inside a Renoir Painting

I am speaking to you from one
of Renoir's paintings. My voice
shatters softly like light.
I'm perspiring terribly
beneath these tight clothes,
these goddamned buttons and bows.

I'm drunk in that annoying way--
you know: wine gone sour
in the belly, head heavy, ambition
for a sexy evening vanished.
Only a nap says to me, "Hey."
I'm glad you like the painting.



hans ostrom, 2013

Monday, April 15, 2013

Thanks: A Poem

Life happened to me,
fortunately. It could
not have happened
to me, quite possibly,
although there would
have been no I to have
missed the opportunity,
no sensor of vacuity.

Occasionally, one asks
why, or what have I done,
or what was I supposed
to do. No clue. I'm
nothing more than just
another you perceived or
not by other I's and yous,
we's and theys. Thanks are
a kind of praise.



hans ostrom, 2013

The Great Age of Fingernail Polish

Citizens, we've entered
the great age of fingernail polish.
I should be writing about things
less trivial. Apologies.
But I've been out among women
whose digital surfaces have been
enameled with all the colors
that have escaped the spectra.
And I could look at women's
hands forever. And women's hands
are not trivial.



hans ostrom, 2013

Sunday, April 14, 2013

The Brain's Oven

The old woman
who slid a pan of cookies
into my brain's oven
never returned.
The cookies have turned
into black dots that float
across my vision.
I reek of burnt dough.

I lie on my side like a
buffalo who's been reading
Hegel on the parched
plain of Kansas for
example. Invisible merchants

empty microscopic vats
of hot slime on my neck,
my forehead. A thin woman
with cold fingers practices
scales on my spine,
and a chorus of angelic rats
prevents me from nodding off.

I raise one hand
as if to conduct
their concert. And I
pass out. I am a loser,
I am a loser, hallelujah
and amen.


2013 hans ostrom

Thursday, April 11, 2013

Financial Advice

"Mr. Debit, we advise you to put part
of yourself in stocks and part in bonds.
These punishments should occur in the
Town Square, as penance for your miserable
money-managing skills, and as an example
to all. Unfortunately, your folio seems
never to have left port. It's taking on water
and barnacles. Our projections indicate

you'll be able to retire uncomfortably
when all the mountains run into the sea.
By then, the National Economy
shall have melted, leaving a residue
of prosperity. In those far-off days,

travel by burro, but don't go near
the fortresses of the mega-rich
and super-celebrated. From bastions,
their minions will train designer-weapons
on you. You must understand that from
the wealthy's point of view, few
things drive down property-values
more than semi-retired, Quixotic
geezers sitting atop humble beasts.

Currently, your liquid assets fit
into a shot-glass and may be
downed in one gulp. Among
your liabilities is you. Please
try harder to be a credit to
yourself. Crawl low. Pray high,
and, incidentally, fuck you."

copyright 2013 hans ostrom

Homage to Jorge Luis Borges

In a long neglected room on an upper floor of Carolina Rediviva Library in Uppsala, Sweden, on the third of March,1967, Roberto de la Costa, in search of documents describing the medical treatment of wounded Swedish soldiers at the Battle of Poltava, discovered his own last will and testament. Accompanying material alleged the will to have been dictated by him, on his deathbed, to one Maria Vibrato.

Although the sound of this name
brought Roberto De la Costa pleasure, he had not known the name
before encountering it that day in the musty room full of documents. He learned from the will that he was to accumulate a not inconsiderable
estate but to dispose of it in ways with which, in March 1967, he
did not entirely agree. Reading to the end of the will, de la Costa learned that it had been witnessed by his now deceased mother, Gloria
Martinez Sierra de la Costa.


hans ostrom 2013

Wednesday, April 10, 2013

Paul Robeson's birthday

Today is the birthday of Paul Robeson, anstonishingly talented athlete (4 sports at Rutgers, professional football), actor (Broadway and Hollywood), singer (operatic voice), attorney, and civil-rights leader. A poem about him by Gwendolyn Brooks:

Monday, April 8, 2013

The WSJ Is Unamused by Bowdoin College

The Wall Street Journal (April 6, 2013) has offered yet another critique of “liberal” colleges and their interest in diversity, among other things. Believe it or not, the complicated tale hinges on a golf-outing that the president of Bowdoin College experienced with “philanthropist and investor Thomas Klingenstein.”

During the outing, Klingenstein apparently told Mills, “I would never support Bowdoin—you are a ridiculous liberal school that brings all the wrong students to campus for all the wrong reasons” [and you have] “misplaced and misguided diversity efforts.” This is Mills’ version. Klingenstein later weighed in: “I explained my disapproval of ‘diversity’ as it generally has been implemented on college campuses: too much celebration of racial and ethnic difference,” coupled with “not enough celebration of our common American identity.” What that common American identity might be, he apparently did not say.

Klingenstein had also funded a study of Bowdoin by the National Association of Scholars. He apparently got what he paid for as the study discovered, at least according to the WSJ, that “[t]he school’s ideological pillars would likely be familiar to anyone who has paid attention to American higher education lately. There’s the obsession with race, class, gender and sexuality as the essential forces of history and markers of political identity. There’s the dedication to ‘sustainability,’ or saving the planet from its imminent destruction by the forces of capitalism. And there are the paeans to ‘global citizenship, or loving all countries except one’s own.”

What a lovely rhetorical moment has unfurled here. First, note the scene and the actors: A white male president of an exclusive college has his back-swing interrupted by a wealthy man who doesn’t like newfangled ideas. Hilarious. Nobody knows the trouble these two have seen. What next–a double-bogey on the 18th? One hopes the round of golf occurred at an exclusive country club because Klingenstein apparently complained that the school brings in “all the wrong students for all the wrong reasons.” Note that neither the WSJ nor the aggrieved wealthy golfer explain what makes “the wrong students” the wrong students. By the way, the online source Peterson’s [guide to colleges] says the student body at Bowdoin is 65% White or “Caucasian.”

Then, the WSJ plays the equivocation-game. The small liberal arts college has “ideological pillars.” It has courses that concern race, class, gender and sexuality; therefore, it is “obsessed” with these. Not that evidence matters, but if you look at the areas of study Bowdoin offers, you will find such subjects as math, physics, neuroscience, chemistry, biochemistry, music, philosophy, Classics, economics, art history, and a variety of “foreign” languages. Wow, what a radical bunch these Bowdoin folks must be!

The WSJ also claims that “[i]n the History Department, no course is devoted to American political, military, diplomatic or intellectual history—the only ones available are organized around some aspect of race, class, gender or sexuality.” But in the Spring term alone, you will find courses on “Colonial America and the Atlantic World, 1607–1763,” which surely includes military, diplomatic, and intellectual concerns, and a course on “Place in American History,” which “Investigates place as a set of physical and biological characteristics, as a product of the interaction between humans and the environment, and as a social and cultural construct. Also attends to the challenge of writing history with place as a central character” (Bowdoin online catalogue).

But the WSJ doesn’t like even a whiff of environmental issues: “There’s the dedication to ‘sustainability,’ or saving the planet from its imminent destruction by the forces of capitalism. And there are the paeans to ‘global citizenship,’ or loving all countries except one’s own.” Again with the equivocation. If you perceive the world to be highly connected—here we are, by the way, on the Internet—you don’t love your country. If you reasonably deduce that “we” are running out of water, facing the consequences of global warming, and encountering all sorts of problems with pollution, then of course you must be anti-capitalism—as opposed to being, you know, realistic and practical. And how dare Bowdoin offer opportunities for students to think about how to reverse the harm done to the planet.

The WSJ and the poor (read: wealthy), victimized Klingnstein have fielded an entire team of straw men in their arguments. Therefore, one must agree with them. Bowdoin should offer an old-fashioned course on rhetoric and invite them to take the course—online, in person, or on the golf course.

"Teacher," by Langston Hughes

Wednesday, April 3, 2013

The Soccer Goal

The soccer goal looks like a land net.
It is open to amphibious creatures
that may crawl, hop, or slither in.

This net won't keep its catch. It's
left that life behind, opposes
closure and captivity, embraces
emptiness. Heavy humans

routinely occupy this turf
to dramatize futility and make
a small ball mean too much.
They tire easily and depart.

Then comes the frog's time,
and moonlight, and dew.


hans ostrom 2013

Monday, April 1, 2013

She Spoke of Golf

The woman and the man
were watching some kind of screen
that projected images of men
playing golf. The woman said,
"You know, they always try to make
golf look interesting or exciting,
and it's just not." The man
thought this over. Then he said,
"You're right. It's really stupid.
It's a lot of grass, a lot of waiting,
and a little ball, and a lot of
mis-spent money, and, you know,
who really gives a shit?"
"Well," said the woman, "I know
I don't. Give a shit."



hans ostrom, 2013

"Are We Just April Fools?"

Steve McQueen Square

In Hollywood, Steve Mc-
Queen Square seems to be filled with
a petrol station.


hans ostrom

"An April Day," by Joseph Seamon Cotter, Jr.

Wednesday, March 20, 2013

Is All Beige

Is all beige, is the color
of the faces in the long-running
series, "Hollywood Exciting Series,"
with the ubiquitous directionless
lighting that is seen to come from
nowhere and everywhere: large
light bulbs, tin foil that reflects
sunlight as it is in L.A.

There is a script. There is acting.
There is a three-digit number
for the channel on which one may view
"Hollywood Exciting Series."

And we watch. Why? Well, what the fuck
else are we supposed to do,
after working in our jobs,
which are held by the suckers
in society, whereas the all-beiged
"Hollywood Exciting Series"
will make a profit for the ones
who make a profit by moving
their earlier profits into other
profit-making areas. Oh, my.

I'm not against anything.
What would be the fucking point?
I merely state. State haphazardly.
Sometimes I ask. "Are we irrevocably
fucked up?" It's not as though anyone
must answer, unless of course they're
saying something from a script,
and are being paid,
and are beige
because of the lighting
because of the because
because.


hans ostrom 2013

"Salamander Confession"

Cable Television Sample 2013

i want to bring in some uni's,
fan them out, see what they find.

uh, wow?

yeah, I don't normally bring people in here

i collect, too

why did you blow me off?

that makes you honest

it's interesting that he
interesting that she
it's interesting
i find it fascinating

"he got that hand back,
and he didn't tell anybody"

talk to him, tell him you
made a mistake


"I will."

Previously on
PREVIOUSLY,
Martin becomes
a professor


"God doesn't want.?

Go read, go read, go read
your Bible.

"She is in that other series."

Okay, that's enough.

Okay, good night.

Okay, what is your Thursday like?


hans ostrom 2013

The Woman in the Iron Sonnet

Official Correspondence

Tuesday, March 19, 2013

Don't Look Now, But--

Don't look now but
Kevin Spacey is a bad actor and
Tom Hanks' accent in Forrest Gump
embarrassed. Clint Eastwood
is a cracker, and Jack
Nicholson is just another
Hollywood pig, the opposite
of counter-culture. Don't look now
but all the celebrity authors
are full of shit, completely
full of shit. Don't look now
but the U.S. Senate is a porch
on a Southern plantation
200 years ago. Don't look now but Obama
is to the right of Eisenhower and
it's too fucking late to counter-act
global warming. Don't look now but
the ACLU is impotent but correct.
Don't look now but the U.S.A.
would rather be white-supremacist
and wrong than fair and right.
Don't look now but most
of the Founding Fathers
owned slaves. Hear that:
owned slaves, who were
humans. Don't look now
but white supremacy guides
most American policies.
Don't look now but while
the gun-fetishists suck
their barrels until the barrels
shoot bullets, oh, oh,
the gub-ment
takes away the real shit,
such as money, such as rights.
Don't look now but "we"
add 10 million people per
year--which is like a Los
Angeles, which is too much
for the planet to bear.
Consider how much water
10 million people drink
and how much shit 10 million people
shit. Don't look now but
the U.S.A bombs whomever
the fuck they want--thanks
to your tax dollerz.
Don't look now but cynical realism
looks like idealism,
and your pessimism
can't keep up.
Don't look now. Don't look.



hans ostrom 2013

"Piazza Piece," by John Crowe Ransom

Tuesday, March 12, 2013

"Eight O'Clock," by A.E. Housman

I'm Guessing All

I'm guessing all
we can know for sure
is that when the
time comes, all
will be different
from what we had
expected, predicted.
Yes, it will be
different from
what we had imagined
when we get there,
when we get to the time,
when time comes
to get us.



Hans Ostrom 2013

Friday, March 8, 2013

A Fabulous Free Source for Learning Linear Algebra

College textbooks have become notoriously, outrageously expensive, and publishers often play a game of bringing out new editions that have relatively little new material but just enough new material that a student can't really get by with an older, much less expensive, used copy.

Well, if you're taking or teaching linear algebra or are otherwise interested in the subject, there are some great free sources for you, thanks to my colleague at the University of Puget Sound, Rob Beezer, Professor Mathematics. Rob and I share an interest in the possibilities of online publishing, print-on-demand, and so on--he from the math world, I from the poetry and fiction and teaching creative writing worlds.

So check out Rob's site: http://linear.ups.edu/

The first paragraph you'll see there is . . .

A First Course in Linear Algebra is an introductory textbook designed for university sophomores and juniors. Typically such a student will have taken calculus, but this is not a prerequisite. The book begins with systems of linear equations, then covers matrix algebra, before taking up finite-dimensional vector spaces in full generality. The final chapter covers matrix representations of linear transformations, through diagonalization, change of basis and Jordan canonical form. Along the way, determinants and eigenvalues get fair time. There is a comprehensive online edition and PDF versions are available to download for printing or on-screen viewing. Physical copies may be purchased from the print-on-demand service at Lulu.com.

So, if you want a "hard" copy you MAY buy one, but you don't have to. You may download a pdf or read the book online. And here the address for the online version:

http://linear.ups.edu/html/fcla.html

And here is a link to "Knowls," which enhances your browsing experience for such math-related things.

Sadly, although Rob and I share an interest in the Creative Commons, free or near-free textbooks, print-on-demand, and so on, linear algebra to me looks mainly like some mighty pretty hieroglyphics. I did well in Algebra I in high school. Like Wordsworth, I also really dug geometry. Then things started to fuzzy with Algebra II, and I finally got lost in the wilderness of trigonometry.

But if you've forged on ahead and are exploring linear algebra, check out Rob's fabulous free and excellent textbook material, which includes not just answers to the problems but examples of how one gets to the right answer.

"Critic," by Hans Ostrom

Fever

The old woman who slid the pan
of cookies into my brain's oven
never came back. The cookies
turned into black dots that float
across my vision. I reek of burnt
dough. I lie on my side like a

buffalo who's reading Hegel
on a parched Kansas plain.
Invisible merchants empty
microscopic vats of hot slime
on my neck, my forehead.
A thin woman with cold fingers
practices scales on my spine.

A chorus of angelic rats
prevents me from nodding off.
I raise one hand as if
to conduct their performance,
and I pass out.



hans ostrom 2013

Thursday, March 7, 2013

My Diary Went on Strike

My diary went on strike.
It said, "Damn, your life is dull.
I'm not letting my pages work for you
until something changes."

"So you're a union organizer now?"
I asked. My diary said, "Hey, I have
to protect my people, my pages."

I said, "Okay. I'll make it more
interesting. Even if I have to lie."

"That's fine," my diary said.

"Even if I make up shit?" I said.

"Of course," said my diary. "I'm
a labor-guy, not a tyrant."



hans ostrom 2013

Wednesday, March 6, 2013

An American Political Reformation

No, there isn't any revolution coming. For
the FBI will have infiltrated it before it
starts. A reformation (go figure) will be
more revolutionary. Here's the deal:

White working-class people will have to stop
taking Right Wing bait like dumb catfish.
Friends, the Black president isn't coming after
your guns. The real problem is that he and
every other president is willing to let
the system come after your wages, your cash,
your house. Shake hands with Black folks,
White folks. Shake hands with each other.
You';re not each other's enemy, you dig?

Neither Party gives a shit about you.

To repeat: Neither Party gives a shit about you.

To go Sixties for a moment: get your shit
together. Fuck with their heads. What if
neither Party could count on your support
unless it did something serious
about your economic well being? That
is a very simple question.

Stop letting these people pimp your
fears. Ask them how they will make your
life--your life--not the life of your guns
or your prejudices, better. Friends,
get your shit together, fuck with their
heads, and change the rules.


hans ostrom, 2013

Tuesday, March 5, 2013

"After the Winter," by Claude McKay

Wealth-Distribution in the U.S.: Video

Here is a link to a brief video about how wealth is distributed (who has what) in the U.S. If you think you might want to watch, you might first do two things: guess what the distribution is. That is, what % of the wealth is owned by the top 20 %? What % by the bottom 20%? And so on. Then sketch out what your preferable distribution might be. Of course, your view might be "let the chips fall where they may." But it's possible that you think that the graph-line should be a little smoother because (for example) local economies depend on people having enough cash to buy sandwiches, tools, cars, and so on. At any rate, here's the address: http://mashable.com/2013/03/02/wealth-inequality/

Monday, March 4, 2013

When An Epiphany Goes Flat

I was about to have
an epiphany when
the sum-bitch just
went all to hell on me.

It fell apart
and left me there staring
at the thing I'd been
staring at, feeling
nothing now. When

an epiphany goes flat,
you can't jack up
the frame and fix
the thing. You
just have to move on through
the dullness of
an everyday ride.




Hans Ostrom, 2013

Wednesday, February 27, 2013

Overheard: It Changes, and It's Changing

The problem with
having everything online
is that it changes
all the time, and
it's changing.



--Hans Ostrom 2013

Found Poem: They're All Dead, Ashes

Message on my phone
when I arrived home that
I was late for the grooming
appointment for my animals.
They'll be hard to groom.
They're all dead, ashes.....



found Feb. 27 2013
hans ostrom 2013

Friday, February 22, 2013

Phone as Phone

Telephone.
Tele-phone.
Telephonetics.

"Telephone!" we used to shout
"Phone--for you!"
"Somebody get that phone!"

And today someone
said to me, "Are you
saying that you use
your phone as a phone?"

And I confessed, yes,
"I don't use any of the
apps."



Hans Ostrom, 2013

Edna St. Vincent Millay's birthday

Happy birthday, Ms. Millay, and thanks for the poems.

A link to a reading of "To Those Without Pity":


reading

Wednesday, February 20, 2013

"Chardin's 'Still Life With Fish,'"

The Next Big Thing: Interview

Writer C.E. Putnam has "tagged" me in the authorial game of "the next big thing," in which one answers questions about a project and then "tags" other writers. My self-interview appears below, and I am "tagging" Renee Simms, Dolen Perkins-Valdez, Laurie Frankel, Suzanne Warren, Sandy Evans, Tamiko Nimura, and Carter Monroe.

What is the working title of the book?

Without One

Where did the idea come from for the book?


I was thinking about flesh-eating bacteria, and I wondered what would happen, socially, if there were a bacteria that destroyed men’s penises but otherwise left them physically healthy. –That is, an epidemic, like AIDS (when it first arose), with vast social and psychological implications.

What genre does your book fall under?

Social satire, based on a science-fiction premise, with lots of stuff about romance, sexuality, politics—and questions of masculinity and “manhood,” obviously.


What actors would you choose to play the part of your characters in a movie rendition?


A friend in Hollywood thinks Seth Rogan would be perfect for one role. Peter Gallagher, maybe, for another role. Emilie De Ravin, Melissa Benoist. Steve Buscemi—maybe he could direct it--since we're fantasizing here.


What is the one-sentence synopsis of your book?

Because of a bizarre new epidemic, something is happening to men: their penises are falling off.

How long did it take you to write the first draft of the manuscript?

First draft—probably 18 months.


Who or what inspired you to write this book?

As always, I inspired myself. I’m a one-person crew, for better or worse. You do what you can. I also wanted to see if I could write it. I’d say I’m a poet by nature, so novels are still quite daunting to me, even though I’ve written a few.

What else about your book might pique the reader’s interest?

Implications of the penis-plague, which is known as Rapid Penile Degeneration Syndrome (RAPIDS), go all the way to . . .the White House!

Will your book be self-published or represented by an agency?

The book is now available on Kindle, and two agents have asked to look at it.


Tuesday, February 19, 2013

It's a Curious Thing

There are some people
(I’m one) who negotiate
their membership
in the family they’re
born into. They get by.

They continue to cope
and manage as they
move through other groups—
schools and jobs,
communities. But they
never belong. They’re
not exactly loners or
outcasts. In a way,
that would be easier–
the lines sharp.

They always feel
themselves to be
provisional members,
probationary,
forever trying to figure out
the rules and codes,
always and ultimately
awkward, no matter
how “successful.” This is no

complaint, only observation.
It is the shape of the path
for some of us—that’s all.
It is a curious thing, that’s all.


Hans Ostrom, 2013

Thursday, February 14, 2013

Friday, February 8, 2013

No Answer to the Ocean


It's like this, maybe: A tide comes in.


It brings things you come to believe.


There they are, objects on glassy sand.


They're what's come of all your coping.


A stone, a crab-shell, a worn piece of


wood, a string of kelp. They're no answer


to the ocean. They don't add up to a code.



You keep walking on the beach,


trying to figure things out. There's


nothing wrong with that--walking,


wondering. What are you hoping for?





Hans Ostrom

Monday, February 4, 2013

"The Tide Rises, The Tide Falls," by Henry Wadsworth Longfellow

Sacramento Capitol Mall



Politicos stride like totalitarian colonels.
Professionals lean into conversations
about cash-flow, internal control, and impact (a verb).

Winos stand against a wall and shiver
their way out of hallucination,
their shirt-fronts soaked with the Lamb's
most inexpensive blood; bums pick through rubbish
and sleep under news; the mad testify
to streetlights and themselves.

No one runs for office anymore
except the staffs of those who ran before.
They govern each other and whisper about us.

Sunlight remains democratic.
We walk in it together
between the muddy river and the capitol.
We are lobbyist and lunatic, accountant and pickpocket,
admin-assistant, tech-person, plumber,
and Ph.D. student writing about
power-relationships.

I find myself wondering not at all
about the powerful. I focus on a trembling hand
that picks through garbage. I fork over
a few bucks to the hand's person.
who gargles the words, "God bless you."
 Somewhere there’s a photo

of that man when he was six years old
and squinting at the camera, happy in a summer
in another state.

Maybe you finally come to hate poverty
enough to pursue it as an art;
maybe a thousand left hooks in the downtown gym
finally leave your brain fizzed like pink champagne,
and you're on the street mumbling to a corner man
who isn't there. Or somebody dies, and your way

of understanding that is to let go the things
that hint of looking forward,
including the grammar of love,
and love of self, and taking tomorrow straight.

Yeah, so, I gave him a few bucks, which will
go for booze, not a sandwich, and I don’t care
because it’s not my money anymore,
and as the Capitol might whisper,
it never was. 


Copyright 2013 hans ostrom

Friday, February 1, 2013

Twice-Believing Creatures



Twice-Believing Creatures


Crickets sing the word "ceasing" electronically
in dirt and dry stalks.
A heavy black beetle turns his belly
to the cosmos, plucks with his six feet
at the needles of a darkening pine bough.
The Magician dances out of straw. He is Dusk;
he juggles the sun and the moon and the evening star.

Here and there a few are alert,
some curious, some thankful--like the deer,
weary of swishing horseflies away
from their backsides all day and hungry
after the heavy afternoon;--like the raccoon,
waddling off to make a living at the pond's edge;
--and the tireless child, the old man
who stands near his garden listening to the corn grow,
and the woman with her hands folded,
singing out loud to nobody.

They know that dusk takes today's body
and brings another after an interlude of dreaming.
They know nothing of the sort;
they are as dubious as the light at dusk.
They know the world to be as new
as the note of a gnat in the ear, as old
as the lizard's dry smirk,
a boulder's personality, darkness.


Hans Ostrom, 2013