Margaret Walker's poem, "Childhood"

A reading of Margaret Walker's poem,

"Childhood"

Jubilee

This Is My Century: New and Collected Poems

"Falling Leaves," by Nazim Hikmet

A video/reading (about one minute)of "Falling Leaves," a poem (in translation) by Nazim Hikmet, Turkish writer.

falling leaves

"No Uncertain Term" [the apricot poem]

A reading (with mini-movie) of "No Uncertain Term":

apricot poem

"The laws of God, the laws of man," by A.E. Housman

A Youtube reading of the poem:

Housman/laws

"Faith and Works," by Muriel Spark

A reading of "Faith and Works," a poem by Muriel Spark:

sparkpoem

"Mist, Earthquake, Grace"

Youtube reading of . . .

"Mist, Earthquake, Grace"

"Winter Nocturne"

A Youtube reading of the poem, "Winter Nocturne":

winter nocturne

Reading by Arthur Vogelsang

Here is a link to Arthur Vogelsang's reading of several poems:

Arthur Vogelsang

A Reading of "Lullaby," by W.H. Auden

After I read "Lullaby," by W.H. Auden, many years ago, I suspected that it would become one of my favorite poems over the long haul, not just a well liked poem of the moment.

Here is a link to a reading (with images of the text) of it on Youtube:

Lullaby/Auden

SMOKE AND THUNDER by Jim Chandler

I recently had the pleasure of reading Smoke and Thunder: Collected Poems by Jim Chandler. It's one of the best collections of contemporary poetry I've read in a long time, partly because it presents such a unified (but nonetheless complex) voice, vision, and perspective on experience.

Chandler is a son, so to speak, of both the South and the West, having spent some time in his youth in Pomona, California, and now making Tennessee his home. The book will remind many readers of Bukowski's work insofar as the world of the poems is populated by liquor, tobacco, coffee, hard luck, hard work, self-destruction, resilience, and defiance.

The poems themselves, however, speak from their own regional, personal, and existential space; this is not an imitation of Bukowski, by any means. Chandler's style is characterized by short-lined, explosive, pugnacious narrative poems that have great forward momentum but that can stop at any moment for a surprising reflection or a satisfying detour.

And several poems are expressly meditative, like "the anger of man," a poem about the poet's own relationship with rage but also about that emotion as something connected deeply to the male American's working-class experience. Such moments of self-reflection are not rare in the book, but they are often startling, as in "crazy dave," a poem concerning the almost automatic ways in which racism is passed along but also concerning how it can be defused by maturity and good old-fashioned intelligence; of course, Chandler doesn't say this in so many words. A poet, he lets the poem do the talking.

Many poems feature Chandler wrestling--sometimes violently, often genially--with a variety of demons most of us will recognize. In this way, the book functions as a whole, a narrative about persons and people whose first instinct, being an instinct, is to live impulsively, to keep moving and living hard--but whose complexity of character intrudes to suggest, "You know, you might want to slow down occasionally." This is never a self-indulgent book, however. The poems are too quick, firmly focused, rooted in imagery, and outward looking for that.

Chandler's "Western-ness" may come out most vividly when he expresses suspicions about the State, as in the poem about Elian Gonzalez. The poems asks us to focus on the almost Kafka-esque detail of federal agents swooping in to remove the child--and then giving him play-dough. Like many a good political poem, this one shifts the debate away from the debate, so to speak (should the the boy have been returned to his father or not?) and toward behavior: how the boy is removed, how he's treated. Details.

Chandler's "Southern-ness" comes through the poems in a variety of ways. --In places and situations many are set; in the poet's intimate knowledge of good-old-boy culture; in is dealing with God, religion, family, and history, for example.

By his own admission, Chandler has sometimes been a two-fisted drinker; he's also a two-fisted poet, full of surprises, including the ones he's experienced. Chandler has found a style that works well, suits his material, and wears extremely well over the course of a book. The book is published by 1st Books Library, and it includes an introduction by Carter Monroe.

Smoke and Thunder

Tim Peeler Reads a Poem

A link to Tim Peeler reading one of his poems.

Tacoma's New Poet Laureate to Read

Tammy Robacker, Tacoma's new Poet Laureate, will give her first official reading in June:

More info

Carter Monroe Reads a Poem

Here is a link to a reading by Carter Monroe of one of his poems, good one--nice details, and a wonderful "turn" at the end:

Carter Monroe

Rank Stranger Press

Here is a link to Rank Stranger Press, presided over by Carter Monroe and Jim Chandler; the press publishes a wide variety of poetry and short fiction in both chapbook and "big" book formats. And here is a link to a performance of the song that gave the press its name:


http://www.youtube.com/watch?v=W_vtOd_d40o

Bob Dylan recorded it, too, in his inimitable style:

http://s0.ilike.com/play#Bob+Dylan:Rank+Strangers+To+Me:166494:m652663

Carter Monroe's THE NEW LOST BLUES

I just finished reading Carter Monroe's The New Lost Blues: Selected Poems 1999-2005, and it's splendid. It's a book well known in the small-press community but should be even more widely known and, one hopes, headed for a second printing. The influence of the Beats and the Black Mountain School is here, but that's not saying much as Monroe has obviously absorbed that influence and moved on to forge his own style. Many poems in the early part of the book are narrative in different ways, personal but never insular, and all guided by a firm but flexible, funny but also often coldly incisive voice.

These poems represent much from the author's world in North Carolina and elsewhere but just as much about the U.S. in the early 21st century. Other poems are more palpably jazz-influenced, and Monroe clearly knows the music and musicians there, and is no dabbler. A third kind of poem is shorter, more experimental, such as the Ra Postcards. Through it all runs a disciplined but highly inventive maturity, always a strong voice, a keen eye for detail, falsehood, self-deception, absurdity, and despair, and always a fine sense of form and line. This really is a substantial achievement, a book for readers of poetry to savor, and a book for poets to learn from and, if they're not careful, envy.

The New Lost Blues Selected Poems 1999-2005

Jim Chandler, Poet, Fiction-Writer, Essayist

I'm waiting for Jim Chandler's book of poems, Smoke and Thunder, to arrive from amazon.com, but I've already read several of his narrative poems, and they're terrific. Jim lives in Tennessee and has collaborated on many literary projects with the inimitable Carter Monroe. A link to Jim's site:

Jim Chandler

Smoke and Thunder

Bad-Boyfriend Poem Redux

Last year sometime I posted a video of Thadra Sheridan's reading her poem, "Bad Boyfriend," and apparently the post was popular. To be clear this is not a bad "boyfriend poem"; it is a good poem, and a good reading of it, about a bad boyfriend.

Link to Sheridan

Anyone out there know of any good "bad-girlfriend" poems--that aren't reflexively and predictably misogynist? Gotta be a good poem.

Purple

Short piece on purple:

Purple

Kikugirl

Please check out a new blog from a friend and colleague of mine:

kikugirl

Book of Poems by Tim Peeler

A link to Checking Out, a book of poems by Tim Peeler:

Checking Out