Showing posts with label Chopin. Show all posts
Showing posts with label Chopin. Show all posts

Friday, December 1, 2017

A Composed Affair

I recall the affair
as clearly as if
it had happened a long
time ago, which it
did, but not before

starting as an impromptu,
developing into an etude,
going through a prelude
to get to some
energetic nocturnes,
with several scherzos,
rondos, and sarabands
included for good pleasure.

The affair ended
as if by composed
design, how refreshing.
The final note
was held but not
amplified or for long.


hans ostrom 2017

Friday, July 3, 2015

Emergency Music Medicine


Inspired by desperation
and a certain nausea brought on
by spectacles of hate encased
in blistered, feverish stupidity,

they started injecting
Duke Ellington's chords
directly into people's brains.
It couldn't hurt, they figured.

They brought on board
booster-shots of Bill Monroe,
Aretha, Coltrane, Rubenstein's
Chopin, and vials of other juice.

Hi-dee-high-dee hoping these
inoculations and antidotes
might re-humanize folks,
the worried inculcators

waited, seeking early signs
of logic, empathy, and wit.
I? I await reports. A bottle
of bourbon, which I haven't

touched in centuries, sits
on the battered piano,
which I have touched, pawing
ballads and blues like a badger.


hans ostrom 2015



Monday, November 3, 2014

"Piano Ready to Roll," by Hans Ostrom

A piano's lacquered
surface serrates light
from outside, turns it into
a gothic, cubist
rendering
of a keyboard
that looks
a bit like a bar-code.

As music, that image
might be from Monk
or Ives, James P. Johnson or maybe
Chopin
as phrased by Rubenstein. Anyway,
it's all invented and then
rearranged. By all I mean all.

And look, they bolted
this piano to a frame with three
big wheels. That's some serious
industrial-revolution nonsense.

So roll that lovely hunk of thumps,
shadows, and singing strings into
a misplaced bay where your
emotions go sometimes into exile.



hans ostrom 2014